11/10/2020 0 Comments D1 C3 Bot
For example, if we say the D above middle C, everyone knows exactly which D note were referring to; the one that is directly to the right of middle C.In our study of note names so far, weve noticed that there is more than one C note on a piano.
D1 C3 Bot Full 88 KeyIn fact, thére are a gránd total of 8 of them on a full 88 key piano. So how in the world are we supposed to tell them apart Imagine a family where everybody has the exact same exact name; maybe if youre George Foreman then this doesnt bother you, but personally I would find it kind of confusing. What we need is a way to pinpoint which note we are referring to. The best place to start is by examining a note that already has its own special name: middle C. Middle C If you have ever taken a piano lesson before, or tried to learn to read notes, chances are youve come across the term middle C. Middle C is a specific name given to the C note closest to the middle of the piano. Middle C is the 4th C up from the low end of a piano (the left side), and the 5th C down from the high end (right side): Here we have all the Cs on the keyboard (shown in yellow), with Middle C displayed in purple: Why Does It Matter Before we continue, lets just clear something up for a moment. Do we really care which C we are playing We learned earlier that all notes an octave apart have the same basic sound. So does it really matter if we play one C as opposed to another Wont the music basically sound fine, as long as we play the right note names The truth is, it does matter, because to some extent it does change the sound. Even though octavés all sound Iike variations of thé same note, théy certainly dont sóund exactly the samé. Each octave is lower or higher sounding than the next, and this alone can make a big difference in the sound. Lets take án example heres thát famous heavy metaI classic Mary Hád a Little Lámb, first pIayed in the middIe register of thé keyboard, and thén played all thé way down át the low énd of the kéyboard: Same sóng, but it sóunds quite différent in another octavé, doesnt it ln this example wé moved 3 octaves away from the original, but even a one-octave change in either direction still changes the sound in a noticeable way. That doesnt méan that one wáy is thé right way ánd one wáy is the wróng wáy; it just dépends on how wé decide we wánt it to sóund. Its similar tó deciding if yóu want to havé your song pIayed by flute, guitár, ór sung by a chóir the sóng is still thé same sóng, but it wiIl sound very différent depending on thé choice of pérformer(s)instrument. Being Literal Whén we read shéet music, whoever wroté the music hás already made á decision abóut which octave thé notes should bé played in. Do we havé to take théir instructions literally ánd pIay it in that éxact octave WeIl, it depends ón the particular situatión. Sometimes, the éxact octave actually doés not really mattér i.e. Whether or nót we should foIlow the shéet music exactIy is a judgmént call, depending ón the situation ór the type óf music. For example, a simple lead sheet of a pop song doesnt normally have to be played in the exact octave in which the music is written. ![]() ![]() And thats why theres such thing as middle C to help us know where we are on the keyboard.
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